Molly Crabapple is an artist and writer living in New York. Her memoir Drawing Blood will be published by HarperCollins in November 2015. Her work has been described as “God’s own circus posters,” by Rolling Stone, but beneath the lavishly detailed surface, it engages injustice and rebellion.
Because of Molly’s 2013 solo exhibition, Shell Game, a series of large-scale paintings about the revolutions of 2011, she was called “an emblem of the way that art could break out of the gilded gallery” by The New Republic. She was shortlisted for a 2013 Frontline Print Journalism Award for her internationally-acclaimed reportage on Guantanamo Bay, and received a Gold Rush Award in 2014.
Molly is a contributing editor for VICE and has written for The New York Times, The Paris Review, Vanity Fair, The Guardian, CNN and Newsweek. Her published books include Discordia (with Laurie Penny; Random House, 2012) on the Greek economic crisis and the art books Devil in the Details and Week in Hell (IDW 2012).
Molly has been called “equal parts Hieronymus Bosch, William S. Burroughs and Cirque du Soleil,” by The Guardian; “THE artist of our time” by comedian Margaret Cho, and “a brilliant and principled artist” by BoingBoing. She spent four years as the staff artist of The Box, one of the world’s most lavish (and notorious) nightclubs. Molly has taken her sketchbook from burlesque halls to refugee camps, always with a skeptical eye for power.
Molly is the illustrator of Matt Taibbi’s New York Times bestseller, The Divide. She has collaborated with Spike Jonze to create backdrops for the 2013 YouTube Music Video Awards, and with Esperanza Spalding on projections for her concerts. She created art for Patton Oswalt’s DVD, Tragedy Plus Comedy Equals Time.
She regularly speaks to audiences around the world, at institutions such as The Museum of Modern Art, The London School of Economics, and Harvard and Columbia Universities. Her works are held in the permanent collections of the Museum of Modern Art, The Barjeel Foundation and The New York Historical Society.